From 7 June 2025, Deutsche Bahn will be exhibiting the monumental sculpture The Wave by sculptor Iris Schieferstein at Ostbahnhof Berlin. The sculptural work made from over 10,000 oyster shells addresses the power and vulnerability of the oceans and refers to the fragile balance of marine ecosystems in the context of increasing environmental destruction.
Abb. oben: Die Welle – courtesy by the artist
To mark International Maritime Day on 8 June, Deutsche Bahn is exhibiting the artwork The Wave by artist Iris Schieferstein at Ostbahnhof Berlin from 7 June to 17 September 2025.
The sculptural work consists of over 10,000 oyster shells, which the artist collected over the course of a year and assembled into a three-dimensional object with a monumental presence. With The Wave, Iris Schieferstein has created a work of extraordinary symbolic power that contrasts the immense beauty of the oceans with their increasing threat. The sea, long perceived as inexhaustible, today symbolises the fragility of the global ecological balance.
Deutsche Bahn’s commitment to sustainability and cultural dialogue
With the presentation of this expansive sculpture, which takes up around 20 square metres of the foyer at Ostbahnhof Berlin, Deutsche Bahn is calling for greater sustainability and the responsible use of natural resources. At the same time, the project is part of our cultural commitment: as a mobility service provider with social responsibility, we actively promote dialogue on ecological and social issues of the future. With Die Welle, we want to give our travellers a special moment of reflection and inspiration – in the midst of the hustle and bustle of everyday rail travel.
About the artist
Iris Schieferstein (1966-2024) was a German sculptor known for her provocative works in which she transformed animal carcasses and other organic materials into impressive art objects. She studied sculpture at the Kunsthochschule Berlin-Weißensee. Her works – including her iconic shoes made from horse hooves – caused an international sensation and were exhibited worldwide. The artist always emphasised that she only used dead animals for her works. She saw her art as a critical commentary on society’s approach to transience, life and nature.
WHEN?
Exhibition period: Saturday, 7 June – Wednesday, 17 September 2025
WHERE?
Ostbahnhof Berlin
Koppenstraße, 3
10243, Berlin
